When I ski, one of my goals is to create the smoothest set of curved tracks I can. Turn after turn after turn...all day long! While this might sound boring to a "non-skier"...let me just say, IT'S HIGHLY ADDICTIVE! Aiming for the "perfect" set of turns; balanced from left to right, with smooth transitions, created with consistent rhythm. For me, it's not about looking back to see the tracks...it IS all about the feeling of creating them...the experience of flow while gliding down the terrain.

What does "skiing" and "woodturning" have in common? The experience of carving turns in fresh snow is one of the best exercises I've experienced in using the entire body to create flowing curves. While my wife and I were slicing up powder at our favorite ski resort last weekend, it dawned on me; everything I do to create flowing turns on snow translates to the experience of creating smooth curves in wood on the lathe!

Skiing and woodturning both require a smooth transfer of body weight over a solid stance.

   The initiation of curves on the slopes and at the lathe begins in your feet and your overall transfer of weight through your stance. While skiing, if your body is out-of-position, you will lose control of the smooth arc created by the edge of your skis will become erratic and may result in a fall. In turning, transfer of weight can make or break your execution of a smooth curve; if your feet are too narrow you'll be off balance at the beginning and end of the cut. You may even have to break away from the cut to reposition your stance part way through, creating an unwelcome transition point on the surface of your piece.

Creating smooth curves is all about muscle memory.

   This is truly what separates experts from the rest of the pack in any field; creating muscle memory through repeated practice and honing of skills. Creating smooth curves with a tool, whether that tool is a ski or a gouge, is all about control. Watching an expert in ANY skill makes it appear so simple, effortless, even automatic. What you don't see is the hours it took their body to develop the feel of doing that particular skill. Creating muscle memory through practice and repetition of a movement will develop confidence and finesse to do that movement with minimal thought and maximum control.

A curve is a curve is a curve, no matter how big or small.

   ANY curve is a smooth arc, with NO flat spots. Curves are smooth, sensual, and organic. They surround us in our everyday lives. Have you ever taken time to notice the beauty of curves around you? Take a moment of still observation; how many curves can you see? How many can you feel? Devote 60 seconds...as an exercise...and just take it in!

Being critical/sensitive enough to perceive flat spots or transitions takes practice. The word "critical" does not mean to criticize, rather to develop an ability to perceive when a line is truly a "curve". In skiing, you feel with your entire body when a turn creates a smooth curve... in woodturning, you can feel the quality of curve in the moment of creation as well as after the cut is made. One of the best ways I know to visually discern the quality of a curved surface is to cast a shadow across it and observe the shadow line for smoothness. This also applies to skiing; if you look back on your tracks on a clear day when the sun is shining the shadow highlights your lines, if it's foggy then you won't see a thing.

Creating the perfectly pure curve is elusive.

   Creating perfect set of tracks or the purest of wooden forms is a bit like searching for the Holy Grail! It really is all about the journey of striving for the goal. Learn to enjoy the journey.

 Well, this winter has been a bit different. I have been increasingly busy with demonstrating, teaching private lessons, and a variety of other [non-turning] commitments. The shop...and my lathe have been begging for my undivided attention. While I have only spent a few afternoons and evening turning in my own shop this season, I am loaded with new concepts for artistic turnings and plenty of new tool ideas which I am eager to make a reality! :) 

 I am currently preparing for upcoming demos in Portland, Oregon and on the Olympic Peninsula in Washington. The demo in Portland will be my first visit to their club. The Olympic Peninsula club demo will be my second time demonstrating for their members. I am very excited to present at both clubs!

I will also be at Rockler Woodworking Store in Tukwila, demonstrating bowl turning techniques Feb. 12th, March 12th, and May 14th. Demos go from 9:30-12:00ish.

These are FREE in-store demonstrations where I share a variety of personal techniques used to create cut-rimmed, natural edge and translucent walled bowls. Seats typically fill up quickly, so get there early to claim a spot!

I will cover turning on multiple axis and how curves for a relationship at their intersection. I will also focus a portion of the demonstration on the techniques I use to apply analine dye to color the piece like a raindrop or flame.

A detailed description of the Triple Axis Turning techniques I have developed can be found in the September/ October edition of More Woodturning- check it out.

GO TO THE TRIPLE-AXIS TURNING FLYER/HANDOUT

I have been working on my new studio for the past few weeks, with several breaks along the way. By tomorrow the siding should be finished, exterior door on (with a touchpad lock), exterior window installed, and interior wall roughed in. Then, it's to the electrical and insulation next week in an effort to wrap everything up before school starts! For those of you who don't already know, I teach elementary P.E.- so the summer is my time to work on my big projects.

I am going through some turning withdrawals, as I haven't actually turned in my own shop for nearly 4 weeks now...arggghhhh! Of course, I have a number of projects I want to work on...and I am already creating the line-up!

What else have I been filling my time with? Well, I have been working on two woodworking articles for different magazines. And...drumroll please...BOTH have been accepted!!! One has already been published and the other (I've been told) WILL be sometime this winter. One of the articles is in More Woodturning September/October edition (online magazine), on my Triple Axis Turning technique used to create my flame and water drop series. The other article has been accepted and is projected to be published in Woodturning Design, issue #30 (which should hit your local newsstands sometime in the winter). This article is a tool review of D-Way tools.

I will plan to post a link to a copy of each article soon, so stay-tuned. :)

I also went to Colorado to visit my family earlier this month. I got to spend precious time with Mom, Dad, Bro, Sister-In-Law, and three of my nephews. My brother, dad and I attended the Rocky Mountain Folks Festival in Lyons, CO. Wow what an incredible experience of getting to hear a huge variety of musical artists in an intimate setting! We staked out our spots and pretty much had front row- center seats for every performance. The musicians were literally about 15 feet away from us...talk about up close and personal! We even got to meet and visit with the musicians after their performance. :) Talk about a great visit...full of lots of great memories!

So, that's what I've been up to lately.

Make shavings, not sawdust,

-Eric